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[B]1929 LUDWIG & LUDWIG 5 x 15 NOB STANDARD-SENSITIVE MODEL[/B] Last viewed: 3 hours ago

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Hi,

Straight from the Fall Edition of the 1929 Ludwig Drummer flyer via my good friend Bill Wanser and his partner Scott Colner of Olympic Drums & Percussion of Portland, Oregon.

The year was 1929 and Ludwig & Ludwig was in the midst of some major changes: 1. They were sold (or in the process of being acquired) to the music giant C. G. Conn & Co... 2. L & L and Leedy Drums (also acquired by Conn) were literally being manufactured across from each other in the same building... 3. The Great Depression had just started... and 4. (timing?) L & L had just come out with 4 brand new snare drum models; Super-Sensitive, New Era-Sensitive, Super-Power and the Standard-Sensitive, the snare drum that I am sharing with you in this article.

For those of you who are not familiar with these models here is a quick description. An easy thing to remember is that all four models have one thing in common - the Sensitive mechanism which is the mechanism that is under the batter head:

Super-Sensitive: Super (parallel) mechanism on the bottom, Sensitive mechanism under the batter head. Available sizes were 5 x 14, 6.5 x 14, *5 x 15, 6.5 x 15.

New Era-Sensitive: Both Sensitive mechanisms inside the shell (one under the batter head and one inside on top of the slunk head). Available only in 5 x 14.

Super-Power: This is a 12 x 15 Street Drum model. Standard Professional throw off (bottom), Sensitive mechanism under the batter head. Available only in 12 x 15.

Standard-Sensitive: Standard Professional throw off (bottom), Sensitive mechanism under the batter head. Available sizes were 5 x 14, 6.5 x 14, **5 x 15, 6.5 x 15.

*the 5 x 15 size was left out of the flyer but they do exist.

**the 5 x 15 size was left out of the flyer but obviously exists.

You will see many more Super-Sensitive models than the other three Sensitive models. The main reason for this is that the Super-Sensitive model was in production from 1929-1939 (+/-) while the other three Sensitive models were only produced between 1929-30 and never made it to a Ludwig & Ludwig catalog. My own opinion regarding the rarity of the other three Sensitive models is that the Super-Power is the rarest (I’ve only seen 1 or 2), next is the Standard-Sensitive (I’ve seen 10 +/-) and the New Era-Sensitive (I’ve seen 15-20 +/-). I am not the final word on this but I think that I am pretty close in my evaluation as to the rarity of these models.

1929 LUDWIG & LUDWIG 5 x 15 NOB STANDARD-SENSITIVE MODEL

The SHELL:

The nob, 2-piece, heavy brass shell was in very good condition with no extra holes or modifications. The nickel plating was in very good shape but I wanted to clean and polish it. I usually do this by hand but after trying this there was still a layer of patina that I could not get clean so I took the shell to Les at Avenue plating and he “colored” up the shell for me. Coloring is the term platers use when they polish up metal that has a patina/tarnish on it.

The HARDWARE:

The hardware was also in very good condition but I chose to clean and polish anyway, same situation as was the shell so Les and his brother Brian colored up the nickel hardware for me. I was happy that the hardware was 100% present and accounted for; this is the reason why I like to buy from Olympic Drums and other vintage drum dealers like Olympic Drums & Percussion. The Professional throw off and Sensitive mechanism work fine, nice and smooth. The top rim has the 1929 engraved “Standard Sensitive”, the 1930 version was a stamped “Standard- Sensitive”. This is geek-a-tron minutiae but still an observation -- at times you will see a dash “—“ after Super, New Era, Super and Standard Sensitive. There is no dash on this rim.

The drum came with of-the-era top and bottom calf heads, original Sensitive snares and original 1929 Ludwig Snappi-Snares.

As always I welcome your comments and observations.

Now let’s see some of your Standard-Sensitive snare drums.

Enjoy!

Mike Curotto

Posted on 9 years ago
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Posted on 9 years ago
#2
Posted on 9 years ago
#3
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Magnificent specimen !!!Cool1

Your drummers not much good is he!? What you need is someone that's as good as me. ! John Henry Bonham !!
Posted on 9 years ago
#4
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Mike, I know you've stated before that a lot of the older drums you own, don't sound that good the way they are set up. What about this one, could this be a good gigging snare?

"Failing to prepare, is preparing to fail". John Wooden

Blaemire / Jenkins-Martin drums.

http://www.jenkinsmartindrums.com/
Posted on 9 years ago
#5
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From mendozart

Mike, I know you've stated before that a lot of the older drums you own, don't sound that good the way they are set up. What about this one, could this be a good gigging snare?

I had the same question.

12/14/20 Mahogany INDe Bop Cocktail Hybrid

Late 50s Black Nitron 3 Ply Gretsch 13/16/20 w/ Max Roach Snare
Posted on 9 years ago
#6
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From mendozart

Mike, I know you've stated before that a lot of the older drums you own, don't sound that good the way they are set up. What about this one, could this be a good gigging snare?

Not even close...With calf heads and Snappi-Snares plus snares under the batter head the drum sounds as it would have in 1929 which is authentic. To make this drum a player you would need to put modern day heads and snares and punt the Sensitive mechanism. In my opinion the drum is more important in its original condition, there are enough modern day snare drums that sound way better.

Mike Curotto

Posted on 9 years ago
#7
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From poppies

I had the same question.

Not even close...With calf heads and Snappi-Snares plus snares under the batter head the drum sounds as it would have in 1929 which is authentic. To make this drum a player you would need to put modern day heads and snares and punt the Sensitive mechanism. In my opinion the drum is more important in its original condition, there are enough modern day snare drums that sound way better.

Mike Curotto

Posted on 9 years ago
#8
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Really nice drum Mike. You mentioned that you had the hardware "colored up". I was wondering what that means?

Posted on 9 years ago
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From jerrysterken

Really nice drum Mike. You mentioned that you had the hardware "colored up". I was wondering what that means?

"Coloring" is a plater's term for polishing up the metal.

Mike Curotto

Posted on 9 years ago
#10
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