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Photos from Labor Day gig Last viewed: 1 hour ago

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Greetings all. We had a pretty good weekend providing backline for no less than 17 bands in 15 hours on Saturday for a festival in Atlanta with about 10,000 fans in attendance. I saw quite a few good young drummers. (of course, at 49, most of these guys are going to be younger than me regardless. I heard a lot of them refer to me as 'sir') Everyone shared the same DW Collectors series kit as there was no time for change-overs. I did bring out part of my snare collection which was fun. The guys got to choose whatever snare they wanted and then I tuned it up (or more typically down) for their particular tastes, occasionally choosing a different batter head. It was interesting to watch these guys choose snares. Some just asked if I had a Black Beauty and that is all they cared about, some looked over the selection and asked me to help them pick out something that would match their style, and some could look over the selection and find something that they were pretty sure would work for them. Most of them took this as an opportunity to try something different. One drummer actually selected my 1964 8x15 Ludwig concert snare that came from the United States Navy. It turned out to be a great selection for him as their band used a lot of "Coldplay" percussion effects including hand cymbals, a 20" kick on a stand (a keystone Clubdate in blue/silver duco by the way) and a 32" concert bass drum. So that was awesome. Other highlights included the guy that used 18" hi-hats; that's right, a pair of 18" K crashes to make a hi-hat pair. In the photo, that is a 20" crash on his left and a 12" tom in front of him. He also used a 22" crash. Lastly, a creative use of a spare cymbal stand. Enjoy.

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tnsquint
Very proud owner of a new Blaemire Snare 6.5 x 14 made by Jerry Jenkins "Drumjinx"
Posted on 12 years ago
#1
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Quint, excellent excellent day. Glad you shared this one. It must have been a blast sharing and talking and learning with all those drummers. Great stuff. Love the snare stack. Fun!

What Would You Do
Posted on 12 years ago
#2
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Purdie,

It was a lot of fun, and a lot of hours on my feet! Even at this level most of these guys don't normally get this level of service. So it was great to get an opportunity to share some drum history, tuning tips and techniques and watch how different drummers handle things.

It was also interesting to see how technique effects gear. For these kinds of events my standard heads are Evans G2 coated over G1 clear resonant heads on toms and Remo coated CS heads on snares. Some guys could play those for days with no issues and some guys can barely make it through a 35 minute set without a head change. It has everything to do with technique. If you play "out of the drum" you are much easier on the gear and the tone is significantly improved. If you play "into the drum" the tone is choked and the gear gets beat up in a hurry. It has very little to do with how hard you hit. The hardest hitters i had Saturday had no issues as a matter of fact. I can generally look at the way a guy is holding his sticks and know if I'll need a head change. :-)

tnsquint
Very proud owner of a new Blaemire Snare 6.5 x 14 made by Jerry Jenkins "Drumjinx"
Posted on 12 years ago
#3
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From tnsquint

Purdie,It was a lot of fun, and a lot of hours on my feet! :-)

Now, while we both post on the forum and are both drummers ... I'm much much cuter than Purdie. Purdie hasn't crossed over into here as of yet. Though, when he does, it will most assuredly be a positive experience.

What Would You Do
Posted on 12 years ago
#4
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Nice!

Sounds like you learned something, but I hope you were able to impart some knowledge and that those who needed it were open to it.

This is nowhere near the same level of intensity, but I often supply my drums to a blues jam session. I sometimes need to "counsel" a heavy hitter to protect my drums ... I just suggest as nicely as possible that they'll have more fun, sound better, work less, and save money with better technique.

9x Slingerland New Rock 50N 12-13-16-22 with 170 (Super S-O-M) holder
โ€ข 1979 Oak
โ€ข 1978 Blakrome + 6.5x14 TDR SD
โ€ข 1977 Black Diamond Pearl + 5x14 SD (gold badge, Rapid strainer)
โ€ข 1976 Black Cordova
โ€ข 1975 Silver Sparkle + 5x14 SD (Rapid strainer)
โ€ข 1974 Chrome + 5x14 COB TDR and 6.5x14 COW Zoomatic SDs
โ€ข 1973 Purple Sparkle
โ€ข 1973 Phantom (clear)
โ€ข 1971 Walnut (gold badges) + 5x14 TDR SD
1x Rogers Powertone Londoner V 12-13-16-22
โ€ข 1972 Butcher Block + 1979 big R Dynasonic SD
Posted on 12 years ago
#5
Posts: 6170 Threads: 255
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squint

well done! that had to be a great experience for all involved. i bet the other drummers had a blast with the snare choices.

i recently bought a wfl 8x15 concert snare. they are a beast! i love mine.

mike

Posted on 12 years ago
#6
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The heavy hitters are part of it for me. I budget for the additional heads and I get them at dealer cost so it's not a big deal, plus I enjoy seeing how quickly I can replace a head and get it tuned up. For something like this event I keep a list of tuned pitches on my iPhone so that I consistently get the drums back to the same starting point. Doing so really helps the audio engineers as they are not constantly chasing EQ on the tom channels. Unfortunately, I will occasionally end up with a broken cymbal. These get billed back to clients as "beyond usual wear and tear". In reality, the biggest thing I concern myself with from that perspective is trying to avoid tom rash, especially with the guys that really like their mounted toms low and flat.

tnsquint
Very proud owner of a new Blaemire Snare 6.5 x 14 made by Jerry Jenkins "Drumjinx"
Posted on 12 years ago
#7
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From RogerSling

Now, while we both post on the forum and are both drummers ... I'm much much cuter than Purdie. Purdie hasn't crossed over into here as of yet. Though, when he does, it will most assuredly be a positive experience.

You know, I just figured out the deal with your post. I have no idea why I thought that was Purdie that responded and not you. Like I said, it was a long weekend, but at least it was hot and humid!

tnsquint
Very proud owner of a new Blaemire Snare 6.5 x 14 made by Jerry Jenkins "Drumjinx"
Posted on 12 years ago
#8
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From mlayton

squintwell done! that had to be a great experience for all involved. i bet the other drummers had a blast with the snare choices.i recently bought a wfl 8x15 concert snare. they are a beast! i love mine.mike

The 8x15 is not for everyone and certainly not for every gig, but it can be pretty magical in the right setting. Out at front of house it was deep, but it still had plenty of crack and you could literally hear the "air" in it. It was a very "English" sound and it certainly made their FOH engineer (who was also a drummer) smile. Imagine a Bonham sound only deeper...not looser, just a lower pitch.

I will say that I am completely done with P83 and P85 strainers though. They are ALL getting replaced with P86's and fabric straps. When it is 95ยบ out and I am racing to get things done, the last thing I want to deal with is a sticky strainer or tying yet another snare drum cord. To that end, I have an early 60's Slingerland student snare that sounds really great and has that Slingy version of a P83 strainer. Any ideas on a decent retrofit for that without drilling any holes? It has the same sticky problem.

tnsquint
Very proud owner of a new Blaemire Snare 6.5 x 14 made by Jerry Jenkins "Drumjinx"
Posted on 12 years ago
#9
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From tnsquint

You know, I just figured out the deal with your post. I have no idea why I thought that was Purdie that responded and not you. Like I said, it was a long weekend, but at least it was hot and humid!

All good. I actually got a kick out of it. I could see this VERY tired and worn out individual sitting at the keyboard typing away with what little energy he had remaining ... and getting the name wrong. It cracked me up. Be blessed, my friend. You had a great weekend to remember.

What Would You Do
Posted on 12 years ago
#10
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