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What Do You Do To Maintain 'Good Hands'? Last viewed: 7 minutes ago

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I do a routine everyday just to keep my chops up as best I can in-between bands and gigs. Even if I don't sit down behind the drums on any given day, I do my exercises -every day-. It's so hard to build chops as it is, so I don't want to (at least) lose what I have. I also prefer practicing on a pillow rather than a pad. Works my wrists and fingers harder than a regular rubber pad does. I also practice with heavy 2B's (a light, thick parade stick) I figure if swinging a heavy bat before going to the plate works for pro ball-players, the same principle is good for me and the lumber I swing!

The 'workout' I perform daily consists of:

1. Fast single strokes (using the Moeller Whip technique,) using one hand at a time. I'll start with four rounds of 8 strokes with each hand, then reduce them by one stroke (four rounds of 7, then 6, then 5 with each hand etc.) until I'm down to double strokes.

2. Continuing to warm-up with double strokes, without stopping, I'll do four rounds of 5 stroke rolls, back to doubles, then four rounds of 6 stroke rolls, back to doubles, then four rounds of 7 stroke rolls, on up to 9 or 10 stroke rolls.

3. By now I'm warmed up, so next I do paradiddle rounds: 2 sets of single paradiddles, two sets of double paradiddles, two sets of triple paradiddles and back to two sets of single paradiddles... repeated with out stopping in between.

4. Check patterns: I mostly like to use Joe Morello's 'Killer' for check patterns. Joe's 'Killer' is two rounds fast doubles, two rounds single paradiddles, two rounds single stroke rolls, repeated.

5. Free form... whatever comes into my head or maybe something I'm working on. I'm currently brushing up on some of the Tony Williams licks I love so much. example: 1 beat hands together (not a flam! Both hands have to make the hit simultaneously,) then R right, L left. Pla-pa-ta sound. Split the hands on the snare and rack tom for the single two-handed hit and come back to the snare for the right/left hits. Pla-pa-ta, pla-pa-ta, pla-pa-ta, boom. Great little fill when you get it up to speed. I save practicing stuff like that for when I'm already warmed up. I won't work on 'new' stuff if I'm not warmed up real good. I feel like it's a waste of time to try to warm up on stuff you don't know or have a handle on yet. Doesn't make sense to me.

At 63 I do not have the speed or chops I had when I was 18. I am however trying to keep whatever I have left. Muscles age, nervous system responses and twitch-muscle control decreases (normally) as the body gets older. But it's real important to me to keep my ability up as high as I can keep it. So I work at it (practice) everyday. I've been playing 48 years and counting. I can still rattle those cans though.

What do -you- do to keep up your chops?

John

Too many great drums to list here!

http://www.walbergandauge.com/VintageVenue.htm
Posted on 12 years ago
#1
Posts: 5550 Threads: 576
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john i agree its the carpal thats kills me my diddles suffer but thats what i do same exercise since 15 years old it almost as tuf now as it was then gary

April 2nd 1969 scarfed pink champagne holly wood and 65/66 downbeat snare, and , supra same year very minty kit old pies
66/67 downbeat with canister
Super 400 small round knob
1967 super classic obp





once the brass ceases to glitter, and the drum looses its luster, and the stage remains dark, all you have left is the timbre of family.
Posted on 12 years ago
#2
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> it almost as tuf now as it was then

Gary - Man, am I happy you said that! I thought it was just me! Ok, so it's 'normal' to still be struggling with all this stuff since childhood.... phew, I thought my body/brain was failing me. Good to know I'm not alone.

John

Too many great drums to list here!

http://www.walbergandauge.com/VintageVenue.htm
Posted on 12 years ago
#3
Posts: 5550 Threads: 576
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im with the mind set dont use it and u lose it, im like you john it was very easy to crank it out in my 30's and 40's but i was always in a working band now im limited to church and some jams sessions but im buying a timpani ludwig ringer for church that should b interesting

April 2nd 1969 scarfed pink champagne holly wood and 65/66 downbeat snare, and , supra same year very minty kit old pies
66/67 downbeat with canister
Super 400 small round knob
1967 super classic obp





once the brass ceases to glitter, and the drum looses its luster, and the stage remains dark, all you have left is the timbre of family.
Posted on 12 years ago
#4
Posts: 5356 Threads: 87
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John a while back you posted a great warmup. The Tommy Igoe basic lifetime warmup. I start with some basic hand and wrist stretches and then hit that warmup. I fight with the carple tunnel also and use those infared gloves with no fingertips when it's bad. That was a big reason I stopped playing years ago. Hands went numb after 5-10 mins of steady playing, dropped sticks etc..... But my desire to play again has been renewed. So I'm trying to deal with it and work around things the best I can. And learn some new things along with the process of relearning how to play well again. Getting there slowly. ;)

Here's the stretches and more........ http://www.sportsrehab.com/drumminghealth.htm

Glenn.

Not a guru just havin fun with some old dusty drums.
Posted on 12 years ago
#5
Posts: 5550 Threads: 576
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those gloves help me out a lot too i just love playing to much to stop

April 2nd 1969 scarfed pink champagne holly wood and 65/66 downbeat snare, and , supra same year very minty kit old pies
66/67 downbeat with canister
Super 400 small round knob
1967 super classic obp





once the brass ceases to glitter, and the drum looses its luster, and the stage remains dark, all you have left is the timbre of family.
Posted on 12 years ago
#6
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I put a cat in my practice box and work up to fast triplets. Usually by the time i hit double para's, my hands are bleeding. Pillows are for sissies. Pillows don't fight back.

What Would You Do
Posted on 12 years ago
#7
Posts: 5356 Threads: 87
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.......................sorry..................

Glenn.

Not a guru just havin fun with some old dusty drums.
Posted on 12 years ago
#8
Posts: 5356 Threads: 87
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From RogerSling

I put a cat in my practice box and work up to fast triplets. Usually by the time i hit double para's, my hands are bleeding. Pillows are for sissies. Pillows don't fight back.

Ha!!! I got this one giving me quite a look after hearing me practice. Laughing H

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Glenn.

Not a guru just havin fun with some old dusty drums.
Posted on 12 years ago
#9
Posts: 6524 Threads: 37
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Uhm,..I Ahhh,...Nevermind, wrong stick !!

It`s a drum,.....Hit It !!

.....76/#XK9207 Phonic Sound Machine D454/D-505 snares !i
Posted on 12 years ago
#10
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