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tension on heads Last viewed: 3 hours ago

Posts: 5550 Threads: 576
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I tend to leave my skins loose to save the head, reducing tension on them, keeps them from getting all stretched out, verses leaving them in a case all tight, unless I'am playing it all the time ......

April 2nd 1969 scarfed pink champagne holly wood and 65/66 downbeat snare, and , supra same year very minty kit old pies
66/67 downbeat with canister
Super 400 small round knob
1967 super classic obp





once the brass ceases to glitter, and the drum looses its luster, and the stage remains dark, all you have left is the timbre of family.
Posted on 10 years ago
#1
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I completely de tune my drums when not in use, to also save on head wear having so many kits. I tend to use one kit for a good while then switch to another when the mood or gigs demand it.

Your drummers not much good is he!? What you need is someone that's as good as me. ! John Henry Bonham !!
Posted on 10 years ago
#2
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I think that constant tightening and loosening will stretch them out faster. I leave mine alone.

Posted on 10 years ago
#3
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From atomicmorganic

I think that constant tightening and loosening will stretch them out faster. I leave mine alone.

+1

Think about what happens when you bend, or stretch plastic over and over... it softens and snaps. As long as a drum isn't over-tensioned to begin with, you can leave it in-tune and you'll only have to 'tweak it back' when you're ready to play it again. Tuning and de-tuning a head over and over will affect the life of the head more than if you just tune it and leave it alone. No stretch, relax, stretch, relax.

John

Too many great drums to list here!

http://www.walbergandauge.com/VintageVenue.htm
Posted on 10 years ago
#4
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I guess their are two schools of thought here snare drums are under high tension period think about it? I use the tama tension watch which is very accurate for measuring head tension I adjust my heads to the exact tension every time so the head is simply retuned to it's once original tension. where as heads under a constant load are stretched to that tension for 24/7 bearing the stress on heads, Rims. tensions rods, lugs and drum shell. All I know for sure is I have heads that are many years old with many many hours of playing time on them and they still sound great, To each his/her own.

Your drummers not much good is he!? What you need is someone that's as good as me. ! John Henry Bonham !!
Posted on 10 years ago
#5
Posts: 3467 Threads: 116
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I agree with the previous three posts.. unless of course you are speaking of Calfskin heads.. different story with those...

Cheers

John

'77 Slingerland 51N,Super Rock 24,18,14,13.. COW 8,10 Concert toms
'69 Slingerland Hollywood Ace
'75 Rogers Dynasonic 6.5 x 14, 10 lug COB
'77-78 Slingerland 6.5 x 14, 10 lug COB
'78-79 Slingerland 5 1/4 x14 8 lug COB
'79 Biman 5 1/4, Acrolite
'82 Slingerland 5 1/4 x 14. Festival COS
'84 Tama MasterCraft Superstar 6.5 x 14, 10 lug Rosewood
'98 Slingerland (Music YO) 6" 10 Lug Maple.. NOS
Zildjian, Sabian , UFIP & Paiste mix.
Posted on 10 years ago
#6
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I lived in the woods for five years, no running water, no electricity, etc...Anyway, I had an outdoor set that I had set up for at least three years through every season. The heads were kept at tension throughout the whole time, I just moved off leaves, or snow, or sticks and played away. I don't think that the heads were ever really affected by the experience of tension and weather.

Posted on 10 years ago
#7
Posts: 5550 Threads: 576
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From Rik_Everglade

I lived in the woods for five years, no running water, no electricity, etc...Anyway, I had an outdoor set that I had set up for at least three years through every season. The heads were kept at tension throughout the whole time, I just moved off leaves, or snow, or sticks and played away. I don't think that the heads were ever really affected by the experience of tension and weather.

its not the one made out of logs is it Laughing LOL

April 2nd 1969 scarfed pink champagne holly wood and 65/66 downbeat snare, and , supra same year very minty kit old pies
66/67 downbeat with canister
Super 400 small round knob
1967 super classic obp





once the brass ceases to glitter, and the drum looses its luster, and the stage remains dark, all you have left is the timbre of family.
Posted on 10 years ago
#8
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I usually take my heads completely off after every gig, I soak them in vinegar for two hours, them let them dry overnight. The next morning I take each head outside and toss them like a Frisbee, this allows the air to help them breathe. I put the heads back on my kit and not only do they sound better, but they smell like a freshly made salad.Laughing H

Posted on 10 years ago
#9
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I`m one for leaving things alone(if it ain`t broke don`t fix it).So i don`t toy with the loosening of heads.Alot of this depends also on how high of tork you`ve got on the heads-high tuning has a more of a risk,etc.But one thing i`ve always done with the snare is to always turn off the strainer when not in use,even between sets to eliminate strain on that panel of the shell.Maybe it`s just a silly little thing i do, but snares are usually torked up the highest.

Wayne

1967 Rogers Cleveland Champagne Sparkle
20,16,13,13.
1967/68 Rogers Dayton Champagne Sparkle
20,16,13,13.
1966 Rogers cob 7 Line Dynasonic Snare.
1967 Rogers "Humberto Morales" Timbales.
1980 Ludwig B/O badge 14x 6.5 Black Beauty Snare.
1980 Ludwig B/O badge Red Cortex
22,22,18,16,15,14,13.
1988 Sonor "Horst Link" HLD 590 14x8 Bronze Snare
Posted on 10 years ago
#10
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