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Why I believe Pearl Exports are in decline, from a seller's point of view Last viewed: 4 hours ago

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Hey guys, I had an interesting conversation with a curious customer who asked me this question:

"Dear Boomstick,

Hey thanks for sending that and the nice feedback as well..I saw that you was also selling a pearl export kit..It looked to be in great shape..I was just curious as to why a lot of drummers will only play a kit a few times at a couple of gigs then turn around and try to sale off these pearl kits and others? Are they like trying to upgrade? I see this a lot on Craigslist? Are these just beginners quality kits is that why? lol. Sorry bout all the questions. Have a blessed day"

I thought about it and decided to write him back with my response, I'm curious if you guys agree? Lets talk it out:

"Hello!

I meant to write you a little bit sooner, but as you probably know, I sold a heck of a lot of gear, and its been non-stop packing on this end!

Firstly, thank you so much for the lovely message, I always love hearing from my customers.

In regards to the Pearl Exports, it's a mixed bag of answers. In short, its always been a very attractive drum set for beginners, intermediates and pros alike. Being Pearl, they have one of the best PR teams in the drum manufacturing business, and also they had the most widespread 'budget' option available at a time when cheap, quality beginner level drum kits simply weren't available.

These kits are actually very tunable, very tough and sound great provided you give them the care they need. They do have many limitations if you need a specific sound, but for most rock drummers, it provides everything they need. I've personally played on multiple different generations of this kit, and I can't say I've ever been truly disappointed. Once they're in tune, and you cater to the rock and roll sound, they work great. I've recorded with them too, and they mix up well.

However, despite my praise, there are limitations with these kits. I think most drummers blossom as they grow, and it's very easy for tastes and preferences to change as well. Most Exports have much deeper toms and poplar wood,and once you start to learn more about other types of wood such as maple and birch, you start to gravitate towards it because naturally a better sounding kit is inspiring for any drummer. Another reason is despite it being a smart budget kit, it has drawbacks when it comes to customization and catering to other music genres, for example jazz or electronica. Another issue I've seen time after time is that the looks and hardware tends to go out of fashion and most drummers want something contemporary, something that screams identity whereas an Export seems very squarish and stock-looking (Not to say later Exports didn't look good).

So, for those reasons, you can see why a drummer might get a little sick and tired of a Pearl Export. Pearl tried to counteract the trend they saw in the decreasing popularity of the Pearl Exports which can be seen in the later years of 2000 when they introduced the Pearl ELX and EX and EXR versions of the fundamental same concept of the drum kit. Eventually these became faded out as times changed. I think personally the reason was because of other companies starting to catch on about the shortcomings of Pearl's drum sets, and over-inflation of their prices compared to what you could get elsewhere.

Gretsch, with their Catalina series, was able to provide multiple options for each musical situation, for relatively cheap too. Mapex also came out with their M Birch and M Maple series, another fantastic company releasing innovation and quality whilst keeping in mind the limitations brought on by the recession. Ddrum, Taye, Yamaha, Tama, Peace- everywhere you look nowadays there are companies catering to the massive amateur drummer market, and listening to the demand for lower costs yet better sound. Never before have this many companies specifically designed their kits to have budget consciousness and quality in the same package, and they've found some very clever ways to cut costs; 'fusion sizes', lightweight hardware, 5 lug design on toms, thinner shells, alternative woods, all of these contribute to shaving dollars on the way to a final product.

There is hot debate even now on drummer forums and message boards, all of them asking the same question: "What is the best bang for my buck?" and with Pearl's refusal to lower their costs, pompous pride when it comes to 'you pay for the name', and reliance on marketing and reach over quality, they are slowly loosing these newbies to other companies. That, IMHO is why I believe Pearl Exports are disappearing."

Thoughts?

Posted on 10 years ago
#1
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That's a great response. I totally agree with what your saying there.

40's Slingerland Radio King WMP
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60's Gretsch RB Champaigne Spark
70's Rogers Big R Black
90's Sonor Hilite (Red maple)
00's DW Collectors Broken Glass
00's DW Jazz Series Tangerine Glass
10's DW Collectors (Acrylic) Matt Black Wrap
10's PDP Concept Wood Hoop kit (Maple)
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Posted on 10 years ago
#2
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That`s a very clear concise answer to his question. I not sure that Pearl are losing customers to other companies though. They seem to be doing more sponsorships than any other company right now.

1964 Ludwig Champagne Super Classic
1970 Ludwig Blue Oyster Super Classic
1977 Rogers Big R Londoner 5 ebony
1972/1978 Rogers Powertone/Big R mix ebony
60's Ludwig Supersensitive
Pearl B4514 COB snare ( the SC snare)
Pearl Firecracker
PJL WMP maple snare
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Posted on 10 years ago
#3
Posts: 2264 Threads: 83
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Good reply.

I think Yamaha Stage Customs circa 2014 is the best $550-650 you can spend on a new kit in the history of drum making. With Gretsch Catalinas a close second.

The greatest gift you can give your family and the world is a healthy you. - Joyce Meyer
Posted on 10 years ago
#4
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Another major factor in the decline of Exports: The ISS mount. The worst isolation mount ever. Pearl finally ditched it for their latest version of the Export, but the ISS is still stock on Vision kits. Talk about stubbornness... when your mount is horrible and constantly decried throughout the industry, yet you stick to it for years.

Posted on 10 years ago
#5
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Very well stated and true.Pearl Exports have always been a main stay in the entry level drum market and above since they were first intoduced, but competition has changed all of that.Wonderful response to his question Boomstick- you nailed it.

Wayne

1967 Rogers Cleveland Champagne Sparkle
20,16,13,13.
1967/68 Rogers Dayton Champagne Sparkle
20,16,13,13.
1966 Rogers cob 7 Line Dynasonic Snare.
1967 Rogers "Humberto Morales" Timbales.
1980 Ludwig B/O badge 14x 6.5 Black Beauty Snare.
1980 Ludwig B/O badge Red Cortex
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1988 Sonor "Horst Link" HLD 590 14x8 Bronze Snare
Posted on 10 years ago
#6
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From funkypoodle

That`s a very clear concise answer to his question. I not sure that Pearl are losing customers to other companies though. They seem to be doing more sponsorships than any other company right now.

Definitely true there. I don't think they're so much in decline, but rather many other options have sprung up. For example, even their high end kits cost many more $s as compared to a high end kit from another company. It is true, the sponsorships have gotten their name out the most.

From alparrott

Another major factor in the decline of Exports: The ISS mount. The worst isolation mount ever. Pearl finally ditched it for their latest version of the Export, but the ISS is still stock on Vision kits. Talk about stubbornness... when your mount is horrible and constantly decried throughout the industry, yet you stick to it for years.

Also agree! I don't understand the obsession with rim-mounted tom arms... It seems like it would eventually mess with the hoop, all the weight of the drum hanging on the thinnest part of the shell seems ludicrous to me.

Thanks for all the replies guys, it's been a while since I could go on a forum and talk drums.

Posted on 10 years ago
#7
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