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Handbourines/Jingle-Sticks

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I'm a huge fan of New Orleans Second-Line drumming. One of the guys I copy and learn from the most is Stanton Moore. Because of Stanton I integrated a 13" Brazilian Pandiero into my set-up and I've also included a Jingle-stick/Handbourine, again because of Stanton introducing me to it.

[IMG]http://i1143.photobucket.com/albums/n632/PurdieShuffle/sa4168359117-er_zps68191115.jpg[/IMG]

I pick mine up at some point during my practice sessions every day. It's the really fun part of the daily workout. I recently acquired three used Regal-Tip Handbourines at Goodwill. I only need one.

Here's the deal. These go for $20. new. I will send a Handbourine to the -first two people- to click on the donation button on the front page/home page and donate $10. to VDF! I'll pay postage in lower 48.

Make the donation and then post here. The first 2 respondents will each win a Handbourine to mess around with. I'm telling you, these things are a gas to use and it makes one drummer sound like there is an entire drum-line marching down the street! Check out this video of Stanton. Watch when he switches from the brushes to the Handbourine.

Killer, fun stuff to play!

[ame="http://www.youtube.com/watch?v=k7o2I1rcSNA"]Stanton Moore Clinic Footage @ Donn Bennett Drum Studio - YouTube[/ame]

Help out VDF and help yourself to some serious percussion fun! Remember to post here after you make the donation.

John

PS - For those who want to try this groove: When Stanton picks up the jingle-stick he begins to play a repeating pattern: RRLRRLRL All he does the entire time he's using the handbourine is to move the pattern around to different drums and changing the accents! Including that riff using the cowbell for the left-hand notes. It's all the same pattern! RRLRRLRL I can spend hours with that sticking pattern and come up with new grooves/combinations every time. Listen to the handbourine section again, then... Try it!

Too many great drums to list here!

http://www.walbergandauge.com/VintageVenue.htm
Posted on 11 years ago
#1
Posts: 6170 Threads: 255
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I needed to donate again anyway. done...thanks john. very nice of you..

mike

Posted on 11 years ago
#2
Posts: 5295 Threads: 226
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Me too...I just sent in my first quarter dues...Very nice of you, John...I think this will be cool to try out...

Cheers

1976 Ludwig Mach 4 Thermogloss 26-18-14-14sn
1978 Ludwig Stainless 22-22-18-16-14-13-12 c/w 6-8-10-12-13-14-15-16-18-20-22-24 concert toms
1975 Sonor Phonic Centennials Metallic Pewter 22-16-13-12-14sn (D506)
1971 Ludwig Classic Bowling Ball OBP 22-16-14-13
1960's Stewart Peacock Pearl 20-16-12-14sn
1980`s Ludwig Coliseum Piano Black 8x14 snare
1973 Rogers Superten 5x14 & 6.5x14 COS snares
1970`s John Grey Capri Aquamarine Sparkle 5x14 snare
1941 Ludwig & Ludwig Super 8x14 snare
Posted on 11 years ago
#3
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Geez, they went fast! And to two of the nicest people I know! We got hit with a nasty snow storm, but as soon as I can drive over to the P.O. the handbourines will go out to you.

Thank you both! And thanks for the donations to the clubhouse. Cool1

John

PS - As a little 'thank you' from me; here's another pattern to mess around with when you get the handbourines. -LLRLRLRR- Stanton uses the Pandiero in the demo, but you can use the toms. Move this thing around the drums, experiment with different drum combinations. Move the accents around. Try playing the pattern first with the handbourine in your right hand and then again with the jingle-stick in your left. The combinations are endless. You'll come up with a whole new library of licks for yourself, all based on this one sticking pattern. Have fun. J

[ame="http://www.youtube.com/watch?v=4BepHqJJZSI"]Stanton Moore New Orleans/Funk Groove - YouTube[/ame]

Too many great drums to list here!

http://www.walbergandauge.com/VintageVenue.htm
Posted on 11 years ago
#4
Posts: 5295 Threads: 226
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Thanks again, John!!

Cheers

1976 Ludwig Mach 4 Thermogloss 26-18-14-14sn
1978 Ludwig Stainless 22-22-18-16-14-13-12 c/w 6-8-10-12-13-14-15-16-18-20-22-24 concert toms
1975 Sonor Phonic Centennials Metallic Pewter 22-16-13-12-14sn (D506)
1971 Ludwig Classic Bowling Ball OBP 22-16-14-13
1960's Stewart Peacock Pearl 20-16-12-14sn
1980`s Ludwig Coliseum Piano Black 8x14 snare
1973 Rogers Superten 5x14 & 6.5x14 COS snares
1970`s John Grey Capri Aquamarine Sparkle 5x14 snare
1941 Ludwig & Ludwig Super 8x14 snare
Posted on 11 years ago
#5
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Excellent stuff John and thanks again for being the great guy that you are!I already sent in a donation awhile back to help our wonderful forum out.Loved the vids on Stanton-what a great player he is and thanks for sharing those cool patterns.I`m having a blast with them!

Wayne

1967 Rogers Cleveland Champagne Sparkle
20,16,13,13.
1967/68 Rogers Dayton Champagne Sparkle
20,16,13,13.
1966 Rogers cob 7 Line Dynasonic Snare.
1967 Rogers "Humberto Morales" Timbales.
1980 Ludwig B/O badge 14x 6.5 Black Beauty Snare.
1980 Ludwig B/O badge Red Cortex
22,22,18,16,15,14,13.
1988 Sonor "Horst Link" HLD 590 14x8 Bronze Snare
Posted on 11 years ago
#6
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> I`m having a blast with them!

Wayne - I spend a lot of my daily practice time playing all that Second Line stuff. After decades of drumming, for me, it's just the most fun rhythms to play. High energy, heavy groove and it puts a smile on my face to play it - every time.

Enjoy, I have a ton of that stuff in my head, if the site wasn't dedicated to vintage drums, I'd spend more time passing along some of the great grooves and patterns I've picked up along the way with you guys. I have so much fun playing this stuff and I know others would as well.

Don't stop with the variations that Stanton demonstrates in the video. Experiment with the pattern moving the accents around and hitting different drums & thinga-ma-bobs. What Stanton demonstrates is only scratching the surface! Mess around with it. It'll blow your mind how much stuff you can come up with just noodling around with it.

Man, if I can get even one other guy hooked on Second-line drumming... then, mission accomplished!

John

Too many great drums to list here!

http://www.walbergandauge.com/VintageVenue.htm
Posted on 11 years ago
#7
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From Purdie Shuffle

> I`m having a blast with them!Wayne - I spend a lot of my daily practice time playing all that Second Line stuff. After decades of drumming, for me, it's just the most fun rhythms to play. High energy, heavy groove and it puts a smile on my face to play it - every time.Enjoy, I have a ton of that stuff in my head, if the site wasn't dedicated to vintage drums, I'd spend more time passing along some of the great grooves and patterns I've picked up along the way with you guys. I have so much fun playing this stuff and I know others would as well.Don't stop with the variations that Stanton demonstrates in the video. Experiment with the pattern moving the accents around and hitting different drums & thinga-ma-bobs. What Stanton demonstrates is only scratching the surface! Mess around with it. It'll blow your mind how much stuff you can come up with just noodling around with it.Man, if I can get even one other guy hooked on Second-line drumming... then, mission accomplished!John

John,i love it too and i spent some time in New Orleans in the early 90`s and that really opened up my ears to Second-Line drumming.Funny but when i first joined the forum i almost used Second-Line as my name,and i may change it to that yet.Haven`t seen another one on here yet.I`ll experiment with these patterns and see what i can come up with for sure.

Wayne

1967 Rogers Cleveland Champagne Sparkle
20,16,13,13.
1967/68 Rogers Dayton Champagne Sparkle
20,16,13,13.
1966 Rogers cob 7 Line Dynasonic Snare.
1967 Rogers "Humberto Morales" Timbales.
1980 Ludwig B/O badge 14x 6.5 Black Beauty Snare.
1980 Ludwig B/O badge Red Cortex
22,22,18,16,15,14,13.
1988 Sonor "Horst Link" HLD 590 14x8 Bronze Snare
Posted on 11 years ago
#8
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If you don't already know him, allow me to introduce you to the Granddaddy of Second-Line drumming, Johnny Vidocovich. Johnny has always had trouble getting words out, but if you listen carefully to 'what' he is saying... it's sublime stuff. He talks a blue-streak of nuances here, but every once in awhile he stops and plays a little. Johnny is the heart and soul of New Orleans second-line. He has certainly been one of its premier proponents over the last 40 years. Guys like Stanton learned most of what they know from Johnny. He's a Master of the genre.

Pick up what you can from here:

[ame="http://www.youtube.com/watch?v=geze6A1p3Ww"]Johnny Vidacovich: Secrets of Second Line drumming - YouTube[/ame]

John

Too many great drums to list here!

http://www.walbergandauge.com/VintageVenue.htm
Posted on 11 years ago
#9
Posts: 1072 Threads: 89
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Hey purdie....that johnny guy is hip (big grin)i like him. I understood every word he said (bigger grin).

I really would like to learn this kind of playing, ive tried, i can do it in my mind but when i sit behind the drums....its like my brain cant transfer it to my hands and it just sounds like annoying drum noise.

Ive enjoyed following this thread. and Good on you john.

Stay Wiggly,
Robyn
Posted on 11 years ago
#10
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