Hanging floor toms? I believe the ones he was using had legs.
I think his opinion is just that, but it is a point well taken. I am of the mindset that the percentage of DW drums leaving the factory within acceptable tolerance is probably much higher than the major player's in the day. Has anyone ever had to pull up on the tension knob of a P83 or P85 strainer just to engage it? Anyone had to fumble around with slipping hardware or had a factory fresh drum show up out of round? Without any scientific research I would say DW, Yamaha and really most of the major player's elite lines are higher quality on average than what we used to get. I am talking about overall construction specs, finishes, fit, etc. There have certainly been a lot of technological advances that have improved te art of drum manufacture. Of course, some of these advancements don't fit everyone's taste.
That does not change the fact that many are drawn to vintage drums whether it's for nostalgic reasons, a perception that they "must sound better" because they are older, or they do just sound better or at least different. I think it is all of the above depending on the perspective of the end user. I also think this ties right back into the original thought behind Purdie's "which sound" thread.
I, for one, find great value in both contemporary drums using current state of the art technology, and vintage drums. I feel very different when I sit behind any kit and the sizes, finish and tone of a particular kit will lead me in a particular direction.
To me it gets back to why vintage drums are so unique? Is it that we can no longer make drums like that because of the availability of old growth wood, have trends and tastes changed, or is it just laziness on the part of manufacturers? When talking about current high end drums, I seriously doubt the latter, which leaves us with available woods and current trends.