when you are invited to play a few songs with the band AND the drums are totally set up different than you normally play. It was so loud and I couldnt hear what the other guys were playing.The drummers PA was a 6 by 12 speaker cabinet. he had a bright 18" ride so close to me I couldn't hit it .I was embarrassed beyond belief,but everybody in the crowd came up and said it was great. Just being nice I suppose. Does this ever happen to you???. I was thinking of bringing my ride cymbal so the drummer could hear the difference,but I dont wasnt to come off as being rude either.I know he would like the sound. Just thinkn'...V
what do you do? Last viewed: 14 minutes ago
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You did exactly the right thing. Play the other guy's set just as he has it set up. Do the best you can. Thank him when your done. Later when they are on break strike up a conversation with the other drummer. If he asks for feedback give him suggestions as to how you set up your kit. If he doesn't ask for suggestions keep them to yourself. If you have future contacts with him you'll probably get a chance to talk more freely and he'll be open to suggestions. Sounds like you handled the situation like a professional.
I agree with Gerald, sounds like you did the right thing.
I was in this exact scenario recently, where I had a gig where backline was provided, there were like a dozen cover bands each playing 15 minute sets, 5 minutes between each. We were 2nd-to-last, and by the time I sat down, the kit looked nothing like when the show started.
Anyhoo, usually I just adjust the seat; raising or lowering height tends to put me in a place where I can reach everything on a kit that's foreign to me. Unless the guy has something really unconventional going, that generally does the trick.
Once, I sat in on a guy's kit that was set up left-handed; but he played right-handed (open-style). That was a true brain twister.
You did better than I would have. Of course I play a left hand configuration, so I would have been the ungracious guest and turned it around the right way!
Dead dogs like rusty fire hydrants!!!
You definitely did the right thing. I've been in that situation a few times and found that other than adjusting the seat and snare height/tilt, it's best to leave another drummer's gear the way it is - especially if sitting in for only a few tunes. Keeps you on your toes though, eh?
'71 Ludwig B/O Badge 20/12/13/14/16
'72 Ludwig B/O Badge Jazzette 18/12/14
'65 Rogers Holiday 20/12/16
I agree, you did the right thing. I was taught early on to be as versatile as possible. I’m right handed and I showed up to a New Years Eve Gig back in the early 90s, I had no time to do a sound check, we went on and I set down to what I quickly found out was a left handed setup. So, quickly I switched the floor tom, hi-hat and snare and played the rest as it was. Different but I made it work. I now practice playing both left and right handed. This is where double mallets come in handy :)
1978 Rogers Big R era kit
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1959 Rogers Classmate Snare
1959 Ludwig/WFL Marching Snare
Ya did good... when I'm asked to sit in, I rarely do. I thank the other drummer (or whoever it was that asked me) but politely decline. I really don't care what the configuration is if I do, and would not move the others set up. It's his kit, his gig, and you're just visiting.
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