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Rogers Left-handed Set-ups Last viewed: 23 hours ago

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From Wayne Brown

If i did switch bass drum heads, as of your mentioned tom mount cental location, the script badge would be facing the wrong way Wayne

And the bass spurs would then be on the reso side! You can't just turn a bass drum around and switch the heads.

Mike

-No Guru... still learning more every day-
Posted on 10 years ago
#21
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From mchair303

And the bass spurs would then be on the reso side! You can't just turn a bass drum around and switch the heads.Mike

Agreed and very good point Mike.Don`t think i would have even thought of that and thanks for the insight.

Wayne

1967 Rogers Cleveland Champagne Sparkle
20,16,13,13.
1967/68 Rogers Dayton Champagne Sparkle
20,16,13,13.
1966 Rogers cob 7 Line Dynasonic Snare.
1967 Rogers "Humberto Morales" Timbales.
1980 Ludwig B/O badge 14x 6.5 Black Beauty Snare.
1980 Ludwig B/O badge Red Cortex
22,22,18,16,15,14,13.
1988 Sonor "Horst Link" HLD 590 14x8 Bronze Snare
Posted on 10 years ago
#22
Posts: 2753 Threads: 132
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I forgot about the bass spurs. I suppose a second set of spurs could be installed to look as though the drum came that way from the factory. I understand the reluctance to alter a great vintage drum set. I don't do that if the drums were still in original shape.

No matter how far you push the envelope, it is still stationery.
Posted on 10 years ago
#23
Posts: 430 Threads: 15
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A pair of clamp-on bass spurs could be used to turn the bass around.

Posted on 10 years ago
#24
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True Dan,but puts the spurs at the batter side and the script badge backwards unless someone would want to alter these.A true lefty set would be ordered that way-just gotta` love those rare lefty sets.

Wayne

1967 Rogers Cleveland Champagne Sparkle
20,16,13,13.
1967/68 Rogers Dayton Champagne Sparkle
20,16,13,13.
1966 Rogers cob 7 Line Dynasonic Snare.
1967 Rogers "Humberto Morales" Timbales.
1980 Ludwig B/O badge 14x 6.5 Black Beauty Snare.
1980 Ludwig B/O badge Red Cortex
22,22,18,16,15,14,13.
1988 Sonor "Horst Link" HLD 590 14x8 Bronze Snare
Posted on 10 years ago
#25
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Came across some Rogers endorser shots that they offered in the early catalogs. Here is a lefty drummer:

1 attachment
Posted on 10 years ago
#26
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Good find! Interesting to note (though it is a bit difficut to be sure given the BDP finish) that it looks as if the layout of the 13 tom is unusual that you have the mount in the first panel then the tone control/vent hole then the Rogers script moving from the mount outward. If built like the right-handed tom of the era, I would expect the mount then the script then tone control/vent hole. The guy had a nice set-up in any event.

Posted on 10 years ago
#27
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Chad Rager is a lefty and a ridiculously fine player out of the BR school.

I'll give him a shout because he was a Rogers endorser back in the day.

Come to think of it, that was in the big "R" days so it may not apply.

Posted on 10 years ago
#28
Posts: 430 Threads: 15
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From Wayne Brown

True Dan,but puts the spurs at the batter side and the script badge backwards unless someone would want to alter these.A true lefty set would be ordered that way-just gotta` love those rare lefty sets.Wayne

The idea is this: if a lefty drummer has a righty kit, he could switch the heads around, put the clamp-on spurs on the front hoop, and as a bonus would be able to read the badge himself from behind the drums. Also, the badge is close to the edge of the shell, so it would be in the 'back' of the drum, barely visible from the front.

For a lefty drummer, this would be the way to go, since real lefty kits are extremely scarce.

Posted on 10 years ago
#29
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In the end, it looks like Wayne Brown has the best of both worlds. Slide everything except bass and toms to the other side and voila, a lefty or righty is ready to roll.

The ultimate in backline kits.

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Posted on 10 years ago
#30
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